Capter 8
The Last Leaf
(Daun terakhir)
Many
artists lived in Greenwich Village in New York City. Sue and Johnsy, two
artists also lived there in a studio apartment. Their rooms were at the top of
an old building in Greenwich Village
Banyak seniman tinggal di Greenwich Village di New York
City. Sue dan Johnsy, dua seniman juga tinggal di sana di sebuah apartemen
studio. Kamar mereka berada di atas sebuah gedung tua di Greenwich Village
In November, it was very cold and with it a cold unseen
stranger, whom the doctors called Pneumonia, stalked the city, touching one
here and there with his icy fingers. The icy fingers of Pneumonia also touched
Johnsy. She was very ill, lying in her bed and not movingat all. A doctor
visited her every day but Johnsy was not getting better. One morning, the
doctor spoke to Sueoutside Johnsy's room.
Pada bulan
November, itu sangat dingin dan dengan itu orang asing tak terlihat dingin,
siapa dokter yang disebut Pneumonia, mengintai kota, menyentuh satu di sini dan
di sana dengan jari dingin nya. Jari-jari es Pneumonia juga menyentuh Johnsy.
Dia sangat sakit, berbaring di tempat tidur dan tidak movingat semua. Seorang
dokter mengunjunginya setiap hari tapi Johnsy tidak mendapatkan yang lebih
baik. Suatu pagi, dokter berbicara ke kamar Sueoutside Johnsy ini.
“I can' t help her,” the doctor said. “She is very sad
and has no desire to
live. Someone must make her happy again. What is she
interested in?” “She is an artist,” Sue replied. “She wants to paint a picture
of bay of Naples.” “Painting!” said the doctor. “That won't help her!”
"Saya bisa 't membantunya," kata dokter.
"Dia sangat sedih dan tidak memiliki keinginan untuk
hidup. Seseorang harus membuatnya bahagia lagi. Apa yang
dia tertarik? "" Dia adalah seorang seniman, "jawab Sue.
"Dia ingin melukis gambar dari Teluk Napoli." "Lukisan!"
Kata dokter. "Itu tidak akan membantu dia!"
Sue was distressed by this news and didn't know what to
do to help Johnsy. She went into the workroom and cried and then she swaggered
into Johnsy's room with her drawing board, whistling ragtime. Johnsy lay
silently in her bed with her face towards the window. Sue stopped whistling,
thinking Johnsy was asleep.
Sue menyesali berita ini dan tidak tahu apa yang harus
dilakukan untuk membantu Johnsy. Dia pergi ke ruang kerja dan menangis dan
kemudian dia berjalan angkuh ke kamar Johnsy dengan papan gambar nya, bersiul
ragtime. Johnsy berbaring diam-diam di tempat tidurnya dengan wajah ke arah
jendela. Sue berhenti bersiul, berpikir Johnsy tertidur.
Sue arranged her board and began drawing to illustrate
a magazine story.
As Sue was sketching a figure of a hero, an Idaho
cowboy, she heard a low sound, several times repeated. She went quickly to the
bedside.
Sue diatur papan
dan mulai menggambar untuk menggambarkan cerita majalah.
Sebagai Sue
membuat sketsa sosok pahlawan, koboi Idaho, ia mendengar suara yang rendah,
beberapa kali diulang. Dia pergi dengan cepat ke samping tempat tidur.
Johnsy's eyes were open wide. She was looking out the
window and counting - counting backwards. "Twelve," she said, and
little later "eleven"; and then "ten," and
"nine"; and then "eight" and "seven", almost
together.
mata Johnsy ini
terbuka lebar. Dia melihat keluar jendela dan menghitung - menghitung mundur.
"Dua belas," katanya, dan sedikit kemudian "sebelas"; dan
kemudian "sepuluh," dan "sembilan"; dan kemudian
"delapan" dan "tujuh", hampir sama.
Sue looked out of the window wondering what was there
to count? There was only a bare, dreary yard to be seen, and the blank side of
the brick house
was only a bare, dreary yard to be seen, and the blank
side of the brick house twenty feet away. An old, old ivy vine, gnarled and
decayed at the roots, climbed half way up the brick wall. The cold breath of
autumn had stricken its leaves from the vine until its skeleton branches clung,
almost bare, to the crumbling bricks. "What is it, dear?" asked Sue.
"Six," said Johnsy, in almost a whisper.
"They're falling faster now. Three days ago there were almost a hundred.
My head ached when I was counting them but now it's easy. There goes another
one. There are only five left now."
"Five what, dear? Tell me." "Leaves on
the ivy vine. When the last one falls I must go, too. I've known that for three
days. Didn't the doctor tell you?"
"Oh, I never heard of such nonsense,"
complained Sue, with magnificent scorn. "What have old ivy leaves to do
with your getting well? Try to sleep," said Sue. "I must call Behrman
up to be my model for the old hermit miner. I'll not be gone a minute. Don't
try to move 'til I come back."
Sue melihat keluar dari jendela-tanya apa yang ada di
sana untuk menghitung? Ada hanya telanjang, halaman suram untuk dilihat, dan
sisi kosong dari rumah bata
hanya telanjang, halaman suram untuk dilihat, dan sisi
kosong dari rumah bata dua puluh kaki jauhnya. Tua, anggur ivy tua, keriput dan
membusuk di akar, naik setengah jalan ke atas dinding bata. Nafas dingin musim
gugur telah terserang daunnya dari pokok anggur sampai cabang kerangkanya
menempel, hampir telanjang, dengan batu bata runtuh. "Ada apa,
sayang?" tanya Sue.
"Enam," kata Johnsy, hampir berbisik.
"Mereka jatuh lebih cepat sekarang. Tiga hari yang lalu ada hampir
seratus. Kepalaku sakit ketika saya sedang menghitung mereka tapi sekarang
mudah. Ada pergi satu sama lain. Hanya ada lima tersisa sekarang."
"Lima apa, sayang? Katakan padaku." "Daun
di pohon anggur ivy. Ketika yang terakhir jatuh aku harus pergi juga. Aku sudah
tahu bahwa selama tiga hari. Tidak dokter memberitahu Anda?"
"Oh, saya tidak pernah mendengar omong kosong
seperti itu," keluh Sue, dengan cemoohan megah. "Apa yang memiliki
daun ivy tua untuk melakukan dengan Anda mendapatkan baik? Cobalah untuk
tidur," kata Sue. "Saya harus memanggil Behrman hingga menjadi model
saya untuk penambang pertapa tua. Aku akan tidak akan pergi sebentar. Jangan
mencoba untuk memindahkan 'til aku kembali."
Old Behrman was a painter who lived on the ground floor
of the same building. He was sixty years old and had always dreamed of painting
a masterpiece, but unfortunately till now he was not able to fulfill his dream.
Sue found Behrman in his dimly lighted apartment sitting in his chair. She told
him of Johnsy's condition. Old Behrman, with his red eyes plainly streaming,
shouted his contempt and derision for such idiotic imaginings.
Johnsy was sleeping when they went upstairs. Sue pulled
the shade down
to the windowsill, and motioned Behrman into the other
room. In there they peered out the window fearfully at the ivy vine. Then they
looked at each other for a moment without speaking. A persistent, cold rain was
falling, mingled with snow. When Sue awoke from an hour's sleep the next
morning she found Johnsy with dull, wide-open eyes staring at the drawn green
shade.
Old Behrman
adalah seorang pelukis yang tinggal di lantai dasar dari gedung yang sama. Dia
berusia enam puluh tahun dan selalu bermimpi lukisan mahakarya, tapi sayangnya
sampai sekarang ia tidak bisa memenuhi mimpinya. Sue ditemukan Behrman di
apartemen remang menyala nya duduk di kursinya. Dia menceritakan kondisi Johnsy
ini. Old Behrman, dengan mata merahnya jelas mengalir, berteriak penghinaan dan
ejekan untuk imajinasi konyol tersebut.
Johnsy sedang
tidur ketika mereka naik ke atas. Sue menarik teduh turun
untuk jendela,
dan memberi isyarat Behrman ke ruangan lain. Di sana mereka mengintip keluar
jendela ketakutan di anggur ivy. Kemudian mereka saling memandang sesaat tanpa
berbicara. Sebuah gigih, hujan yang dingin jatuh, bercampur dengan salju.
Ketika Sue terbangun dari tidur satu jam keesokan harinya ia menemukan Johnsy
dengan kusam, mata terbuka lebar menatap bayangan hijau ditarik.
"Pull it up; I want to see," she ordered, in
a whisper. Wearily Sue obeyed.
"It is the last one," said Johnsy. It will
fall today, and I shall die at the same time." "Dear, dear!"
said Sue, leaning her worn face down to the pillow, "think of me, ifyou
won't think of yourself. What would I do?" But Johnsy did not answer. The
leaf stayed on the vine all day. That night, there was more wind and rain.When
it was light enough Johnsy commanded that the shade be raised. The ivy leaf was
still there."I've been a foolish girl, Sue," said Johnsy. “I wanted
to die but the last leaf stayed on the vine to teach me a lesson. Please bring
me some soup now.” “You know Sue, some day I hope to paint the Bay of
Naples."
"Tarik itu,
saya ingin melihat," perintahnya, berbisik. Letih Sue dipatuhi.
"Ini adalah
yang terakhir," kata Johnsy. Itu akan jatuh hari ini, dan aku akan mati
pada waktu yang sama. "" Wah, wah! "Kata Sue, bersandar wajah
dikenakan ke bawah ke bantal," memikirkan aku, Kalau kau tidak akan
memikirkan diri sendiri. Apa yang akan saya lakukan? "Tapi Johnsy tidak
menjawab. Daun tinggal pada pokok anggur sepanjang hari. Malam itu, ada lebih
angin dan rain.When itu cukup ringan Johnsy memerintahkan agar teduh
dibangkitkan. Daun ivy masih ada . "aku sudah menjadi gadis bodoh, Sue,"
kata Johnsy. "aku ingin mati tapi daun terakhir tinggal pada pokok anggur
untuk mengajarkan saya sebuah pelajaran. Tolong bawakan saya sup
sekarang." "Kau tahu Sue, beberapa hari saya berharap untuk melukis
Teluk Napoli. "
The doctor visited the girls in the afternoon. “Take
good care of your friend,” he said. “She is going to get well. Now I have to go
downstairs. I have to visit Mr. Behrman. He has pneumonia too. I must send him
to the hospital.” The next day the doctor said to Sue: "She's out of danger.
You won. Nutrition and care now - that's all." And that afternoon Sue came
to the bed where Johnsy lay, contentedly knitting a woolen shoulder scarf.
"I have something to tell you, dear," she said. "Mr. Behrman
died of pneumonia today in the hospital. He was ill only two days. The janitor
found him the morning of the first day in his room downstairs helpless with
pain. His shoes and clothing were wet through and icy cold. They couldn't
imagine where he had been on such a dreadful night. And then they found a lantern,
still lighted, and a ladder that had been dragged from its place, and some
scattered brushes, and a palette with green and yellow colors mixed on it, and
- look out the window, dear, at the last ivy leaf on the wall. Didn't you
wonder why it never fluttered or moved when the wind blew? Ah, darling, it's
Behrman's masterpiece - he painted it there the night that the last leaf fell
.”
Dokter
mengunjungi gadis di sore hari. "Jaga baik-baik teman Anda," katanya.
"Dia akan sembuh. Sekarang aku harus turun. Aku harus mengunjungi Mr.
Behrman. Ia memiliki pneumonia juga. Aku harus mengirim dia ke rumah sakit
"Keesokan harinya dokter mengatakan kepada Sue:" Dia keluar dari
bahaya Anda memenangkan Nutrisi dan peduli sekarang - itu saja ".... Dan
sore Sue datang ke tempat di mana Johnsy berbaring, puas merajut syal bahu wol.
"Aku punya sesuatu untuk memberitahu Anda, Sayang," katanya.
"Mr. Behrman meninggal karena pneumonia hari di rumah sakit. Dia sakit
hanya dua hari. Petugas kebersihan menemukan dia pagi hari pertama di kamarnya
di lantai bawah tak berdaya dengan rasa sakit. Sepatu dan pakaian-Nya basah
melalui dan es dingin. Mereka tak bisa 't membayangkan di mana ia telah pada
malam yang mengerikan. dan kemudian mereka menemukan lentera, masih menyala,
dan sebuah tangga yang telah diseret dari tempatnya, dan beberapa kuas yang
tersebar, dan palet dengan warna hijau dan kuning dicampur di atasnya , dan -.?
melihat keluar jendela, sayang, pada akhirnya daun ivy di dinding Apakah Anda
tidak bertanya-tanya mengapa tidak pernah berkibar atau dipindahkan ketika
angin bertiup Ah, sayang, itu karya Behrman - ia melukisnya di sana malam itu
daun terakhir jatuh. "
(Diadaptasi dari
The Last Leaf oleh O. Henry, 1907)
No comments:
Post a Comment